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The songs he leads are both upbeat, entertaining, and metaphoric to the climate outside the club as our leads choose to indulge in their pleasures and ignore the society decaying around them.It’s a film that both celebrates and cries out against ignorance through a twisted perversion of the musical feature film.Their absurd adventures lead them into the hands of wealthy baron Max, who seduces them both and talks big about being able to control the Nazis as political tools, only to run and hide when things start to go south, abandoning them both to the plight of the Nazis.This of course drives a wedge between Sally and Brian, as Sally becomes pregnant while committed to this love triangle, and as a result has no idea who the father is, ultimately destroying whatever chance of happiness she could possibly salvage from her romance with Brian.Although on the surface the film romanticizes such a lifestyle, it ultimately preaches the dangers of such recklessness, portraying it as a bubble that inflates until it pops, suddenly leaving our characters at the hands of a dangerous political party who swooped up power while they, as an analogy for the entire country of Germany, were too busy partying and having sex.In its B plot, which concerns the relationship that develops between two of Brian’s students, one a wealthy Jewish heiress, and the other a gold digger who yearns to use his charm and improved English to marry into a higher social class, an examination of the slow creep of anti-semitism in German culture is offered.
It stands apart in that it doesn’t feature integrated song and dance numbers outside of a single sequence; the majority take place inside a dark, seedy Berlin night club, and serve as interludes between the actual driving story line of the film.
It wears its ideals proudly through a narrative that explores themes such as the complications of bisexual love in monogamous relationships, the need to conform due to the pressures of society, and of course how a country in disarray is easily swept up into the rhetoric of a political movement that preys on their worst fears.
Hell, the film even steps up to bat about the emotional ramifications of having an abortion.
is about the love triangle that forms between Brian (Michael York), Sally (Liza Minnelli), and Max (Helmut Griem), and the destructive habits that their bohemian lifestyles wreaks upon them.
Grounded at the center of the madness is Brian, who comes from a conservative English academic life hoping to teach a little English and finish his studies, only to get swept up in Sally’s sexually ambitious, hopelessly whimsical, and occasionally performance driven lifestyle.
The film’s original negatives have since been lost, forcing Warner Brothers, who currently own distribution rights, to utilize an interpositive as a source for the 2012 restoration of the film.